The Fun Police

The Fun Police are… well… fun! A quick listen of their most recent EP, Spring Break EP, had me dancing in my seat. Released for free at their website, www.thefunpolicemusic.com, the EP is three songs long with “Gringo Merengue,” “We Don’t Want No More,” and “Rather Be Dead.” The Fun Police are a refreshing reggae/ska band from Tacoma, Wash., with an impressive range of musical talent. With hints of blues, jazz, and frequent tongue-in-cheek lyrics, the band guides listeners through layers upon layers of funky, fun music. Definitely worth the listen, even (if not especially) for those not familiar with the genre.

The Fun Police released their first full length album in November, 2009, titled You Better Run, available at CD Baby here: cdbaby.com/cd/FunPolice. They are frequently playing shows in the Puget Sound area and “a sidewalk near you” in Seattle/Portland. The list of upcoming shows, as well as any other news from the band, may be found on their Myspace page: myspace.com/thefunpolicestation.

Upcoming Shows:

• Apr 2 2010 8:00P World Famous Bob’s Java Jive Benefit TACOMA, WASHINGTON
• Apr 6 2010 8:00P The Funhouse w/ Ocelot Omelet, Spillway and Neighbors SEATTLE, WASHINGTON
• Apr 7 2010 9:00P Tony V’s Garage w/ Posum Fat EVERETT, WASHINGTON
• Apr 9 2010 9:00P The 4th Ave Tavern w/ Dreaded Knuckles OLYMPIA, WASHINGTON
• Apr 10 2010 8:00P The Shelter w/ Back Ally Kicks and Go Get The Scissors! CENTRALIA, WASHINGTON
• May 8 2010 8:00P The Hub Bar and Grill w/ Black Market Review and Go Get the Scissors CENTRALIA, WASHINGTON
• May 21 2010 8:00P Cafe Venus and the Marsbar SEATTLE, WASHINGTON
• Jun 26 2010 8:00P Private Party TACOMA, WASHINGTON
• Dec 25 2010 4:15PA Sidewalk Near you… SEATTLE. PORTLAND, TACOMA, BEDALE

T.J. from Revolver Records from MusicGeek.org on Vimeo.

T.J. Jordan has a bold goal: to run the last record store in existence. When T.J. Jordan opened Revolver Records on Sept. 1, 2007, most people would have written it off as a pipe dream destined for failure. Two years later, Jordan and his staff are thriving at the Phoenix-based record store.

The store’s success, Jordan said, is down to one thing: It’s appealing to music lovers in search of something new.

“The people who come into record stores are coming in because they want something unique,” he said. “They’re not coming into to buy the latest Lil Wayne record. The only way record stores are going to stay in business is by appealing to the people who actually want to buy records.”

That appeal, Jordan said, is vital to the longevity of every record store; the traditional business model of the record store won’t keep them around, but providing excitement to music lovers will.

“If you go throughout the country, you’re going to see that the ones that are successful are the ones that have found a way to appeal to niche buyers and keep their store exciting,” he said. “I loved those record stores back in the ’90s, but I want to be the guy that owns the last record store. That’s my goal. I want to keep this in business as long as possible. What we try to do here is find ways we can stay in business, have a cushy job, and not have to work real jobs.”

Record stores are an invaluable asset in musical development, Jordan said. While the exit of many from the scene can be blamed on the faulty business model, much is lost when record stores shut their doors for good.

“If you listen to interviews with Paul McCartney or Brian Wilson, they always talk about the record stores they went into and discovered music,” he said. “Record stores are really important in musical development, and I hope it continues. I don’t like seeing record stores going out of business.”

Where Phoenix record stores like long-time city favorites Circles Records & Tapes — mere blocks away from Revolver — is closing its doors after 38 years of business, Revolver Records is busy carving out a niche for themselves. It’s not just Circles, but a business model that’s disappearing.

“The main reason is because they operate on a business model that worked for 1990, but it doesn’t work for 2010,” he said. “I don’t see that business model working now that you can download individual songs on iTunes. The ones that are dying are the ones that had a corporate mentality, and the ones that are thriving are appealing to music buyers again.”

Revolver’s niche, the same one to which other independent record stores across the country are looking, is why two-thirds of Jordan’s sales come from purchases of vinyl records.

As stores that sold vinyl in their heyday but have since moved exclusively to the CD sputter and collapse, Revolver Records represents a new breed of store: one that embraces the “long dead” format — and embraces their customer base along the way. Despite their love for vinyl, Jordan doesn’t think his customer base is simply antiquated.

“I think it would be foolish to say that most of our customers don’t have an iPod; I think they do,” he said. “I think the reason why people buy records is because it’s so unique, and it’s valuable.”

While the CD may have been easy to listen to, and the MP3 even easier to digest, there’s still an appeal to listening to vinyl, Jordan said.

“There’s a bit of effort involved in records,” Jordan said. “It’s tough to experience a record in tracks, you really experience it as a whole. For me, it’s a whole different experience, and I think that our customers come in for that.”

Austin Joseph performs at V-Tunes 2009

V-Tunes Music Festival, which takes place outside Lake Powell in Big Water, Utah, will be returning for its third year running. Returning to the festival will be Cory Mon & the Starlight Gospel, who will be headlining the event, while Pat and Rosy Maloney, Steven Swift, Austin Joseph, and Easy Joseph will each return for the 2010 iteration of the festival. The one-day event will hit on June 5.

Announced Lineup

Cory Mon & the Starlight Gospel

Pat & Rosy Maloney

Matt Jennings

Dave McGraw & Crow Wing

Steven Swift

Easy Joseph

Sandy Stevens

Lindi & Company

Austin Joseph

In a week, March 24, Australian rock-blues-soul-world musician Harper will feature at the store; tickets are $8 at the door. Doors open at 7:30 p.m.

• Check out the Harper show on Facebook

Sister-duo Beliss, who performed in Cedar City during the 2009 southwest tour, will return on March 25. From Portland, Belinda and Melissa Underwood perform an eclectic blend of musical styles and aren’t to be missed. Tickets are available at the door, which opens at 7:30 p.m.

• RSVP to the Beliss show on Facebook

Upcoming Cedar City, Utah concerts

• March 20, 9pm, Worried Minds, Mike’s Tavern (21+)
• March 23, Alwin Nikolai Centennial at Heritage Theater
• March 24, 8pm, Harper at Groovacious Records
• March 25, 8pm, Beliss at Groovacious Records
• April 2, Green-Swift Duo with Bottled Monkey at Toadz
• April 9, Kris Special at Groovacious Records
• April 10, Green-Swift Duo with Kris Special at Toadz
• April 17, Thrift Store Cowboys at Mike’s Tavern

See, I can look classy every now and again.

Revolver Records, only a couple blocks away from Circles — a short walk from the Arizona State University Downtown Campus, where the Walter Cronkite School of Journalism is located — was a different story. From my first step into the door, the atmosphere was friendly and inviting, if a little intimidating. The selection on show was impressive, considering the size of the store. After a few tense minutes of trying to discern the organizational pattern of the store — now, that was something left to be desired — I found my first record of the day: King Crimson’s 1982 classic Beat, an album I’d previously purchased, I believe, while I was still in high school. I’ve never been much opposed to owning albums in multiple formats, save a digital format.

Some more searching revealed a few post-rock and shoegaze favorites against the right-most wall in the section labeled “New Vinyl” — an ambiguous term at best, but I did my searching, insufficient labeling be damned. Pavement’s Terror Twilight immediately popped out at me, as it’s an album I’ve been listening to with real fervor in the last two weeks. Slint’s Spiderland, My Bloody Valentine’s Loveless — my choices were hardly limited in the ways I usually expect. I rounded off the day of purchasing with something a bit more modern: The Pains of Being Pure at Heart’s 2009 self-titled album.

Seeing Circles Records & Tapes on the verge of falling off the edge of relevance — and mere blocks from the seemingly successful Revolver Records; it ought to serve as a wake-up call, one much the like I’ll be receiving (well, my phone will be waking me up with its alarm clock function, but I’m in a hotel — that’s the point!) in only a few short hours. Record stores are facing an unenviable struggle; they’re being pulled in many directions by uneven forces.

The Packway Handle Band at Groovefest 2007 / Matthew Montgomery

After a multitude of revisions by Tim and Lisa Cretsinger, the lineup for the 2010 Groovefest American Music Festival has been released. Tim and Lisa own Groovacious Records in Cedar City, Utah, and have been organizing Groovefest for nine years. Groovefest is free to the public, and the main event — two full days of music — will take place at the Cedar City Main Street Park on June 25 and 26. Further events are being planned from Wednesday, June 23 to Sunday, June 27.

Friday, June 25

• 1:00 – 1:45 John Sotter
• 2:00 – 2:45 Molly Venter
• 3:00 – 4:00 Kort McCumber Band
• 4:15 – 5:15 Karling Abbeygate
• 5:30 – 6:30 Oakhurst
• 6:45 – 7:45 John Lisi & Delta Funk
• 8:00 – 9:15 Great American Taxi
• 9:30 – 11:00 Traveler

Saturday, June 26

• 11:30 – 12:15 John Batdorf
• 12:30 – 1:15 Joe Baker & His Barefoot Brakemen
• 1:30 – 2:30 The Gabrielle Louise Show
• 2:45 – 3:45 Trevor Green
• 4:00 – 5:00 The Henhouse Prowlers
• 5:15 – 6:15 Chris Laterzo & Buffalo Robe
• 6:30 – 7:30 The New Familiars
• 7:45 – 9:15 The Scott Holt Band
• 9:30 – 11:00 Lubriphonic

Nouela and Brian at The Sunset (credit: Christen Shaw)

People Eating People is the solo piano pop project of Seattle artist Nouela Johnston, and it is absolutely astounding. Johnston has gone through much turbulence to arrive at her current position. In 2007, Johnston was locked into a contract with Mon Frere, the band who won the SoundOff! Battle of the Bands in 2007, which she immediately regretted. Johnston dropped from the band which caused her “[...] a shit-ton of legal messes,” as she explained to The Stranger earlier this week. Unable to release her own music until, among other things, the sum of $5,000 be paid to Cake Records, and she played and toured for-hire with three other bands: Say Hi, Fall of Troy, and Creature Feature. All the while, Johnston was recording a demo which eventually reached the hands of Nabil Ayers, current label manager for 4AD, who offered to release her full-length album.

Her self-titled album, People Eating People, released in November 2009, is an emotional outpouring of jazzy vocals and piano. Johnston is classically trained in jazz piano — she began performing recitals by the age of 4. Being that she is classically trained, her music is technically masterful and complex — her vocals are to match. Her lyrics are personal and emotionally driven; we can see such in “I Hate All My Friends.” Pounding and fast jazz keys supplement her apparent anger as she sings a tale of lies and deceit. With “All The Hospitals,” Johnston shows her flexibility as a jazz pianist. Fluctuating, complex rhythms, all the while delivering the similarly fluctuating jazz-style vocals. A highly emotional tale of depression, making references to suicide amongst other things; “don’t cut too deep, take all those pills…don’t swallow… everyone you love is on your side.”

People Eating People — “All the Hospitals,” from People Eating People (2009) | download
Download audio file (PeopleEatingPeople.mp3)

See below for upcoming shows, live videos, and a video interview.

People Eating People is being very well received in the Seattle music scene and have what seems to be a glowing career ahead. People Eating People are not currently on tour, but frequently play shows locally at just about all the venues here in Seattle. Information about show dates/times are frequently updated on People Eating People’s myspace page, myspace.com/peopleeatingpeople.

Upcoming Shows

Mar 9 2010 8:00P
Chop Suey Seattle, Washington

Mar 13 2010 8:00P
Sunset Tavern Seattle, Washington

Mar 26 2010 8:00P
The Moore Theater Seattle, Washington

May 14 2010 8:00P
Chop Suey Seattle, Washington

Band Members

• Nouela Johnston
• Recorded Drums: Mark Gajadhar
• Recorded/live Drums: Ben Libay/Brian Turner
• Recorded Guitar: Christiaan Morris

Panther Attack! @ Club Tropical (credit unknown)

The first track on the album, “Frolic, Just Don’t Lick,“ is slow to crescendo and has a shoegaze feel. It lays out the groovy standard to come throughout the album. The guitars have a muddy feel in this track and, appropriately, croaking frogs. Layered cleverly through the guitars, the bass pulls us slowly forward through the mud, reminiscent of plodding through a swampy, hazy field. The drums are absent through the entirety of this track.

Recorded and mixed by Brandon Eggleston at Bear Creek Studio in Woodinville, WA. Mastered by Ed Brooks at RFI. Panther Attack! is Andrew Grapes, Josh Grapes, Jon Wiens, Kelly Mynes. Martyr Bonus may be purchased for $10.00 through the band’s MySpace, myspace.com/pantherattack, and their latest EP, Sharp Moments EP, is available for purchase at Triple Down Records at tripledownrecords.com.

Panther Attack! – Martyr Bonus (track list)