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Music Geek: Hunting for records an essential part of musical journey

See, I can look classy every now and again.

When I search for records, it’s not an easy process. I often find myself inundated with those pesky round things — be they CDs or vinyl — as I flip through album after album. It’s not always particularly easy to find exactly what you want, supposing, of course, there is something in particular you’re interested in finding. It’s often the case that I’ll search shelves with no specific end, only the means: Exploration and search.

I’m under the impression that this is an essential part of my “musical journey” — a nebulous term I’ll adapt for use under a number of different circumstances with varying success. Half the fun of getting a record is looking for it, flipping through racks and racks of music, and finding that one specific item you’re willing to drop your cash on — or that stack of records you really, really don’t need right now. (more…)

Wes Anderson flexes musical muscle in The Royal Tenenbaums

Wes Anderson, film director known best for emergent classics like The Royal Tenenbaums and Rushmore clearly knows what he’s doing with film — but can we say the same about the use of music in his films?

The Royal Tenenbaums proved definitive in capturing the feel of music in a Wes Anderson film; by now, it has become a trait of his cinematic auteur theory. The overarching style — especially as it’s exercised in the film — is most crisply defined by the Mutato Muzika Orchestra’s rendition of the Paul McCartney-penned classic, “Hey Jude.” Replete with harpsichord, the track defines the mood and feel of the film as a whole.

While we may be able to attribute much of the musical consistency across Anderson films to the use of the Mutato Muzika Orchestra — the Mark Mothersbaugh-helmed production company has also made at least some appearance on Anderson’s Bottle RocketRushmore, and The Life Aquatic — we can pinpoint some other important attributes of Anderson films that extend beyond Mutato Muzika.

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Music Geek: Record stores at crossroads, but there’s time to recover

See, I can look classy every now and again.

While in Phoenix for a computer-assisted reporting conference — NICAR 2010, which has a name nearly as exciting as possible for this sort of this — I took a jaunt over to a couple record  stores, interested, of course, in seeing what sorts of wares were on offer. What I found was surprising and depressing, inspiring and enlightening.

My first stop, Circles Records & Tapes was one which I’d recently discovered was either closing or had already closed. To my delight, I found it to have not yet closed, and a large advert touting their 50-percent-off liquidation sale made the whole thing all the more tantalizing. It was, then, a bit unfortunate to discover that the store was very much into the process of closing its doors, and the merchandise being liquidated included a few miscellaneous albums on vinyl — nothing of real note, excepting one of the many Brian Eno collaboration projects — and a slew of very cheap, obscure, and low-quality CD releases. It was no real pain to walk from the store empty handed, as I’d already assumed it had closed for good, and my plans were primarily to visit a store a few blocks away, Revolver Records. Anything I would have picked up at a Circles would have been merely a happy accident.

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Star Trek inspires bizarre musical efforts

Star Trek, a show that’s inspired millions of geeks around the world (myself included,) has perhaps inevitably spawned some very bizarre musical tributes. From filk to electronic remixes, Gene Roddenberry’s 1965 masterpiece has lasted 45 years, and given the success of the latest film in the Star Trek universe (even if it is set in a slightly different but importantly similar universe), it looks like it’s set to continue for some time yet.

1. Dark Materia — “The Picard Song”
What. A. Song. This one needs no introduction — it’s probably the best Star Trek-inspired track to date. This mashup of classic Jean-Luc Picard quotes compiled by Dark Materia is great; it’s not his only output — he also produced two tracks you’ll find later in this list.

2. The Firm — “Star Trekkin'”
I loved this song as a kid, but now, it’s a little grating. If you want to annoy yourself and every single person around you for a few minutes, give this a spin. I can only imagine how my mother must have felt.

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Drum legend Lenny White to release new solo album

Lenny White with Stanley Clark 1976 Credit: Tom Marcello

Lenny White, best known for his work on drums in fusion jazz outfit Return to Forever, is readying his first release in ten years as band leader. Anomaly, White’s effort, comes off the back of a worldwide tour in 2008 with Return to Forever and a 2009 tour with Chick Corea and Stanley Clarke — together, they make up three-quarters of the group’s 2008 tour.

 

“We need to restart a revolution so that we can take back the music and stop the fluff,” White said in a press release from publicity group Big Hassle. “I’m hoping that this new album is a representation of that ideal.”

White’s most recent effort includes collaboration with Pink Floyd alumnus David Gilmore and former bandmate Stanley Clarke, as well as other musicians from jazz and rock music alike.

Fifth Stars album set for June 22 launch

Canadian indie rockers Stars are prepping their fifth full-length effort, The Five Ghosts, for release on their new imprint label, Soft Revolution Records. The Five Ghosts is their first release since their most recent release, In Our Bedroom After the War, which hit shelves in 2005.

The Five Ghosts was recorded in Montreal and features writing from all five members of the group: Amy Millan, Evan Cranley, Torquil Campbell, Patty McGee, and Chris Seligman. A U.S. tour is being planned for Summer 2010.

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Pavement videos a classic view of ’90s indie rock

Just time for something short today — here’s a quick collection of Pavement music videos. Classic ’90s indie rock for you; awesome.

Latest from Aloha, Home Acres, blasts indie prog into perspective

The latest effort from American indie outfit Aloha is bold and refreshing: While not necessarily the pinnacle of progressive indie rock from Aloha, it’s 1) something new, and 2) something good. How many other indie rock bands are out using marimbas and bells? Home Acres features plenty of their musical trademark, but we get some delicious additions. The guitars are  magnanimous in their distorted quality, and I think at one point, we may hear an idiophone with gourds — maybe the balafon — resonating and buzzing away. Home Acres hits shelves tomorrow.

Purchase Home Acres