People Eating People, Nouela Johnston’s jazzy new solo project, is catching fire
People Eating People is the solo piano pop project of Seattle artist Nouela Johnston, and it is absolutely astounding. Johnston has gone through much turbulence to arrive at her current position. In 2007, Johnston was locked into a contract with Mon Frere, the band who won the SoundOff! Battle of the Bands in 2007, which she immediately regretted. Johnston dropped from the band which caused her “[...] a shit-ton of legal messes,” as she explained to The Stranger earlier this week. Unable to release her own music until, among other things, the sum of $5,000 be paid to Cake Records, and she played and toured for-hire with three other bands: Say Hi, Fall of Troy, and Creature Feature. All the while, Johnston was recording a demo which eventually reached the hands of Nabil Ayers, current label manager for 4AD, who offered to release her full-length album.
Her self-titled album, People Eating People, released in November 2009, is an emotional outpouring of jazzy vocals and piano. Johnston is classically trained in jazz piano — she began performing recitals by the age of 4. Being that she is classically trained, her music is technically masterful and complex — her vocals are to match. Her lyrics are personal and emotionally driven; we can see such in “I Hate All My Friends.” Pounding and fast jazz keys supplement her apparent anger as she sings a tale of lies and deceit. With “All The Hospitals,” Johnston shows her flexibility as a jazz pianist. Fluctuating, complex rhythms, all the while delivering the similarly fluctuating jazz-style vocals. A highly emotional tale of depression, making references to suicide amongst other things; “don’t cut too deep, take all those pills…don’t swallow… everyone you love is on your side.”
People Eating People — “All the Hospitals,” from People Eating People (2009) | download
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See below for upcoming shows, live videos, and a video interview.
Tags: indie jazz, indie pop, indie rock, seattle
By Scott Mathews
Mar 04, 2010
Artist Spotlight, Seattle, Washington
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REVIEW: Panther Attack! gives us heart-pounding, funky post-rock
The first track on the album, “Frolic, Just Don’t Lick,“ is slow to crescendo and has a shoegaze feel. It lays out the groovy standard to come throughout the album. The guitars have a muddy feel in this track and, appropriately, croaking frogs. Layered cleverly through the guitars, the bass pulls us slowly forward through the mud, reminiscent of plodding through a swampy, hazy field. The drums are absent through the entirety of this track.
Moving forward two tracks to “Stands About, With Dumb Look On Face,” we are immediately greeted face paced guitar and dual drum kits wailing away. Jazzy scales take us from fast and loud to quiet and slow, and back again. The drum kits in this track are a delight. They are responsible for much of the feverish feeling throughout this six-minute-long track. From here on out, the entire album feels much more jazzy than the initial two tracks.
Tags: indie rock, post-punk, seattle
By Scott Mathews
Feb 25, 2010
Album Reviews, Reviews, Seattle, Washington
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Spotlight: Grand Archives
Grand Archives, consisting of five – Mat Brooke, Jeff Montano, Curtis Hall, Ron Lewis, and Thomas Wright – bring us bright, experimental pop recordings. “Torn Blue Foam Couch” is particularly lush with a chirping summery tone and beautiful four-part vocal harmonies. Perfect walking music, as great pop should be. To kick off their album release (Feb. 19th) Grand Archives will be performing Live at KEXP 90.3 FM and a live (free!) show at Sonic Boom later that evening in Seattle, WA. Full tour dates will be listed here. Their self-titled album will be released Feb. 19 on Sub Pop Records.
Grand Archives — “Torn Blue Foam Couch” | download
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By Scott Mathews
Feb 09, 2008
Artist Spotlight, Downloads
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An interview with Say Hi, who released a new album today
Eric Elbogen of Say Hi (previously Say Hi To Your Mom), who, today, release The Wishes and the Glitch, answers a few questions from MusicGeek.org regarding the new album, working with David Bazan and John Roderick, and more. Read after the jump for more of the interview, tracks from The Wishes and the Glitch, and links to purchase music from the group. Say Hi were previously the subject of a MusicGeek.org spotlight.
Say Hi — “Northwestern Girls” | download
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What’s the geekiest thing you did during the recording of The Wishes and the Glitch?
Well, cooping up in a bedroom full of music equipment for six months for twelve hours a day is pretty geeky, don’t you agree? I got nothing else.
Tags: indie pop, indie rock, seattle
By Matthew Montgomery
Feb 05, 2008
Downloads, Interviews
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Spotlight: The Billie Burke Estate
The Billie Burke Estate, who just released Let Your Heart Break, offer a strangely enticing combination of 1970s progressive rock, two-tone ska, and pop sensibilities that make themselves evidenced in “I Can Float” and “Everybody’s Gonna Die,” posted below for download and listening. The former exhibits a wealth of influence from across a wide musical spectrum, while the latter is a more straightforward piano-based pop song with a sardonic lyrical approach. Andy Liotta, mastermind of the Seattle-based The Billie Burke Estate, works vocals in forgotten ways, while instrumentation is effective but not over the top.
The Bille Burke Estate — “I Can Float” | download
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The Bille Burke Estate — “Everybody’s Gonna Die” | download
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By Matthew Montgomery
Jan 26, 2008
Artist Spotlight, Downloads, Video
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Spotlight: Say Hi
Say Hi (previously Say Hi To Your Mom,) a newly Seattle-based (they previously called home Brooklyn, N.Y.,) indie outfit, plays a catchy-but-not-too-upbeat style inflected with a bit of synthesizer and flare (two things that, for some reason, tend to be associated with each other, for better or worse.) Their upcoming album, The Wishes and The Glitch, is due to be released on Feb. 5 on Euphobia Records. The Wishes and The Glitch, the fifth from the indie pop-rock band, features contributions from both David Bazan, best known for Pedro the Lion and Headphones, but also notable for his solo work, and John Roderick, head of Barsuk-released fellow Seattle indie-popsters, The Long Winters.
Say Hi — “Northwestern Girls” | download
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Tags: indie, indie pop, seattle
By Matthew Montgomery
Jan 19, 2008
Artist Spotlight, Downloads
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