Archive for the ‘Seattle, Washington’ Category

The Fun Police are, well, fun

The Fun Police

The Fun Police are… well… fun! A quick listen of their most recent EP, Spring Break EP, had me dancing in my seat. Released for free at their website, www.thefunpolicemusic.com, the EP is three songs long with “Gringo Merengue,” “We Don’t Want No More,” and “Rather Be Dead.” The Fun Police are a refreshing reggae/ska band from Tacoma, Wash., with an impressive range of musical talent. With hints of blues, jazz, and frequent tongue-in-cheek lyrics, the band guides listeners through layers upon layers of funky, fun music. Definitely worth the listen, even (if not especially) for those not familiar with the genre.

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People Eating People, Nouela Johnston’s jazzy new solo project, is catching fire

Nouela and Brian at The Sunset (credit: Christen Shaw)

People Eating People is the solo piano pop project of Seattle artist Nouela Johnston, and it is absolutely astounding. Johnston has gone through much turbulence to arrive at her current position. In 2007, Johnston was locked into a contract with Mon Frere, the band who won the SoundOff! Battle of the Bands in 2007, which she immediately regretted. Johnston dropped from the band which caused her “[…] a shit-ton of legal messes,” as she explained to The Stranger earlier this week. Unable to release her own music until, among other things, the sum of $5,000 be paid to Cake Records, and she played and toured for-hire with three other bands: Say Hi, Fall of Troy, and Creature Feature. All the while, Johnston was recording a demo which eventually reached the hands of Nabil Ayers, current label manager for 4AD, who offered to release her full-length album.

Her self-titled album, People Eating People, released in November 2009, is an emotional outpouring of jazzy vocals and piano. Johnston is classically trained in jazz piano — she began performing recitals by the age of 4. Being that she is classically trained, her music is technically masterful and complex — her vocals are to match. Her lyrics are personal and emotionally driven; we can see such in “I Hate All My Friends.” Pounding and fast jazz keys supplement her apparent anger as she sings a tale of lies and deceit. With “All The Hospitals,” Johnston shows her flexibility as a jazz pianist. Fluctuating, complex rhythms, all the while delivering the similarly fluctuating jazz-style vocals. A highly emotional tale of depression, making references to suicide amongst other things; “don’t cut too deep, take all those pills…don’t swallow… everyone you love is on your side.”

People Eating People — “All the Hospitals,” from People Eating People (2009) | download
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2010/03/PeopleEatingPeople.mp3]

See below for upcoming shows, live videos, and a video interview.

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REVIEW: Panther Attack! gives us heart-pounding, funky post-rock

Panther Attack! @ Club Tropical (credit unknown)

Panther Attack!’s full-length album, Martyr Bonus, was released in 2007. The quartet, from Seattle, Wash., is composed of a bassist, guitarist, and two drummers — with one drummer often trading out as the second guitarist. Martyr Bonus is their first and only full-length album to date, with Sharp Moments EP being their only other recorded release. Martyr Bonus is a wonderful instrumental album tilting from groovy post-punk to shoegaze.

The first track on the album, “Frolic, Just Don’t Lick, is slow to crescendo and has a shoegaze feel. It lays out the groovy standard to come throughout the album. The guitars have a muddy feel in this track and, appropriately, croaking frogs. Layered cleverly through the guitars, the bass pulls us slowly forward through the mud, reminiscent of plodding through a swampy, hazy field. The drums are absent through the entirety of this track.

Moving forward two tracks to “Stands About, With Dumb Look On Face,” we are immediately greeted face paced guitar and dual drum kits wailing away. Jazzy scales take us from fast and loud to quiet and slow, and back again. The drum kits in this track are a delight. They are responsible for much of the feverish feeling throughout this six-minute-long track. From here on out, the entire album feels much more jazzy than the initial two tracks.

Exciting new Puget Sound psych-folk quintet The Cat From Hue embodies Seattle environment

The Cat From Hue, indie/psych-folk quintet from Camano Island, Washington, are an interesting listen. Clearly influenced by other indie bands from the northwest, Modest Mouse and Portugal. The Man, this young group uniquely portrays the Puget Sound in their lyrics alongside upbeat, folksy instrumentals. In “Welcome Back The Rain,” through well constructed folk guitar, slow drum beats, tambourine, and high keys, their music emulates the sound and feeling of a typical rainy day in the Puget Sound. Their lyrics in this song are delivered strong and sleepy, with the verse declaring “We watch the days run down to the hour change/We watch the green leaves turn around, and walk through the sleet and the rain…” and more cleverly sour lyrics regarding the Seattle music scene: “I hear the Puget Sound is Land of the Green/I reciprocate the meaning with the speech about the scene […] just a crow in my crow’s nest/tippin’ back my Seattle’s Best Coffee.”

The Cat From Hue — “Welcome Back The Rain,” from Shoreline
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2010/02/04-Welcome-Back-The-Rain.mp3]

The Cat From Hue — “Stumble On,” from Shoreline
[audio:http://www.musicgeek.org/wp/wp-content/uploads/2010/02/03-Stumble-On.mp3]

The Can From Hue are currently unsigned and have many shows lined up. To see more information about the band visit their myspace, myspace.com/catfromhue, or visit them on Facebook. See below for a video of them live, acoustic, as well as a look at their upcoming shows.

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Unique multi-instrumentalist Whitney Flinn of Hooves and Beak advances to Sound Off! finals

Hooves and Beak, credit: Brady Harvey

Whitney Flinn of Hooves and Beak, originally from Lawrence, Kansas, is currently on extended hiatus in Seattle, Washington. A participant in the Sound Off! Battle of the Bands, Flinn advanced to the finals of the Sound off! Battle of the Bands with a performance Saturday.The Sound Off! Finals will be held on March 6th at the EMP|SFM, the Experience the Music Project, and Science Fiction Museum.

Flinn is the sole member of Hooves and Beak and an inspiring musician. She masters the layering of strong, emotional vocals with harp, piano, accordion, banjo, and guitar — all self-taught. The vocals in her current recordings are vaguely reminiscent of other female indie vocalists — namely Joanna Newsom. Setting her apart is the clear emotional influence behind her words and supplemental strings. Flinn plays her harp in a colorful, folk style unlike any I’ve heard. Her voice is strong and clear, and her strings emulate this. In “Doorman’s Song,” Flinn sings of lost love, an addiction to drinking — all wrapped in her uniquely forlorn harp she creates a heart-wrenching and beautiful anthem.

More information about the Sound Off! may be found at their website, empsfm.org. You may also hear Flinn’s recordings on her Myspace profile, myspace.com/whitneyflinn.

Sasquatch! Music Festival promises exciting lineup

Sasquatch! Music Festival @ The Gorge

With imminent arrival of the Sasquatch! Music Festival I thought we should give you a bit of insight as to what you’ll be seeing throughout the festival. Sasquatch! is on Memorial Day weekend, the 29th, 30th, and 31st of May, located at The Gorge in George, Washington. Tickets go on sale tomorrow, Feb. 20 at 10 a.m. Pacific Time. Get your tickets early — discount 3-day passes are only available the first day of ticket sales, ending at midnight on the 21st. Purchase tickets at sasquatchfestival.com/#/tickets.

 

Some of the major headliners one should look forward to seeing on the first day (May 29) include My Morning Jacket, Vampire Weekend, Broken Social Scene, OK Go, WHY?, and Minus The Bear. Sunday, May 30, we expect an equally stellar day with Massive Attack, Pavement, LCD Soundsystem, Tegan and Sara, and City and Colour. Monday’s lineup looks to be a memorable close to another awesome Sasquatch! with The Mountain Goats, MGMT, Band of Horses, Drive-By Truckers, and The Low Anthem.

Obviously this is not the full list for this year’s Sasquatch!. Please read below to see each artist and the day on which they are playing. You can find out more information for the event, such as ticket pricing, and camping information at the Sasquatch! website here: sasquatchfestival.com.

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SPOTLIGHT: Panther Attack! sets jazzy, groovy standard

Panther Attack! @ ChopSuey 4/18/07

Panther Attack! have, to my mind, set a new standard for post-indie/punk/instrumentals. They have a unique ability to create a profound soul unmatched in their genre. Their dual-drum kits, bass, and guitar (often multiple) meld together to create free-flowing instrumental bliss — almost jazzy, definitely groovy.

They are from Seattle and have been preforming together since 2002. Panther Attack! has a self-released full-length album, Martyr Bonus, released in 2007, and in 2008, they released Sharp Moments EP on vinyl. Panther Attack! is not on tour, but they are currently booking new shows. The latest information about when and where they are playing can be found on their MySpace profile at myspace.com/pantherattack, and detailed bio, release info, and more here at the site for Triple Down Records, their record label, tripledownrecords.com.

Continue reading for a video of Panther Attack! performing in Glendale, Calif.

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